My name is Letícia Matsuoka. I’m a VFX 3D Generalist with 6 years of experience, currently based in Sao Paulo, Brazil.

I began studying CGI by myself back in 2011 on softwares like DAZ Studio and Autodesk Maya. In 2013 I started a CGI course at SAGA - School of Art, Games and Animation, where I learned digital painting, HTML and CSS for web, 2D and 3D animation, traditional sculpture, compositing, effects, audio visual editing, and matte painting. This course was finished in 2016.

In 2015 I started my Bachelor’s Degree on Game Design at Anhembi Morumbi University, where I produced two games per year and learned project management, design theory, game history and theory, 2D and 3D art, and C# programming for games. I finished my Bachelor’s Degree in 2018.

During my time at University, I did two internships as a 3D Generalist. The first one was in 2015 at Buba Filmes, an animation studio based in Sao Paulo, Brazil. There I helped finishing the series called As Aventuras de Fujiwara Manchester for the TV Channel Cultura. The second internship was in 2018 at Wildlife Studios, a mobile game company based in Sao Paulo, creators of huge success cases for IOS and Android. There I was part of the marketing team, responsible for developing digital material for Google Play Store and App Store such as icons and screenshots.

From 2019 to 2022, I worked as a 3D Generalist at Quanta Post, one of the main VFX post-production houses in Brazil. There I did modelling, texturing, lookdev, lighting, rigging, animation, crowd, and 3D tracking for Netflix titles like 3%, Girls From Ipanema, Nobody’s Looking; HBO Max series Thousand Fangs, and some national films.

From May 2022 to October 2023 I worked remotely as a 3D Generalist at BlueBolt, an award-winning visual effects company based in London. There I was part of the 3D team on The Last Kingdom: Seven Kings Must Die, The Peripheral, Fast & Furious 10, The Great, Napoleon, and Shardlake.

Recently I worked remotely as a 3D Generalist at FullFrame on the film A Mother's Embrace, at Roof Studio on some American TV advertising, and at Lightfarm Studios on the Riot's Valorant Cinematic "Sanctum of Secrets".